The Tarantella Dance in A Dolls House :: A Dolls House Essays

The Tarantella Dance in A Dolls House In A Dolls House, Ibsen uses many symbolic representations. One symbol that is used to symbolize Noras character is a move called the Tarantella. The Tarantella is a folk dance from southern Italy. It goes from an already quick tempo to an in time quicker one, while alternating between major and minor keys. It is characterized by swift movements, foot tapping, and on the womens part, exaggerated ruffling of petticoats. It involves a lot of very(prenominal) fast spinning and jumping until one can non dance anymore and is so exhausted they fall to the ground. It is in constant uncertainty, like Noras character. The tarantella has a very interesting history. Its name derives from a little southern townspeople of Italy called Taranto. It was believed that if a spider called the tarantula bit the townspeople, the only way to resist its bite was to do a dance called the Tarantella. The locals believed this was the only cure. If the peop le bitten did non dance they would suffer severe pain, muscle spasms, vomiting most at long locomote died. There were not any drugs that could counteract the venom. Many believed that the sweating associated with the dance flushed the venom from the dancers bodies. They would continue dancing for hours and even days. It was so honey oil that musicians patrolled the fields where most of the bites took place in expectation of being hire to play for the injured. Just as the dancer is trying to get unblock of the venom, Nora was trying to rid herself of the deadly outside poison. The tarantella serves as her last chance to be Torvalds doll, to dance and amuse him. HELMER But, my dear Nora, you look so worn out. Have you been practising too much? NORA No, I have not practised at all. HELMER But you will need to - NORA Yes, indeed I shall, Torvald.