Dbq Regarding the Literary Responses to World War 1 from 1914 to 1928 Essay Example for Free

Dbq Regarding the Literary Responses to World War 1 from 1914 to 1928 EssayHistorical ContextWorld War 1 (1914-1918) was a war that was inevitable, but roughly entirely underestimated. As the war dragged on for four years and millions of lives were ex draw upded in the name of victory, many were greatly impacted cultur all in ally, mainly Europeans and Americans. In what was known as the lost generation, many poets and writers developed new forms of literature in response to the devastating consequences of the war.DBQ Prompt Identify and analyze the various European and American literary responses to World War 1 created during the war and in the decade after the end of World War 1. Document 1-Source Paul Valry, french poet and critic, The Crisis of the Mind, evaluation of European mind and civilization (1920). --The storm has died away, and still we are restless, uneasy, as if the storm were about to break. Almost all the affairs of men ride out in a terrible uncertainty. We t hink of what has disappeared, and we are almost destroyed by what has been destroyed we do not know what will be born, and we tutelage the future, not without reason Doubt and disorder are in us and with us. T here(predicate) is no thinking man, however shrewd or learned he may be, who can hope to dominate this anxiety, to escape from, this impression of darkness. -Document 2-Source Roland Leighton, British soldier serving in France, letter to fianc Vera Brittain (1915). --Among this loony bin of twisted iron and splintered timber and shapeless earth are the fleshless, blackened b ones of simple men who poured out their red, sweet wine of youth unknowing, for zip more tangible than Honour or their Countrys Glory or anothers Lust of Power.Let him who thinks that war is a glorious golden thing, who loves to roll forth brainchild words of exhortation, invoking Honour and Praise and Valour and Love of Country. Let him look at a precise pile of sodden grey rags that cover fractiona l a skull and a shine bone and what might have been its ribs, or at this skeleton lying on its side, resting half-crouching as it fell, supported on one arm, perfect but that it is headless, and with the tattered clothing still draped around it and let him realise how grand and glorious a thing it is to have distilled all Youth and Joy and Life into a foetid heap of hideous putrescence. -Document 3-Source Ernest Hemingway, American author and comport, The Sun Also Rises, expatriate character adventure (1926). --Youre an expatriate. Youve lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed with sex. You spend all your succession talking, not working. You are an expatriate, see? You hang around cafes. -Document 4-Source F. Scott Fitzergerald, American writer, This Side of Paradise, examines post-war morality with fictional love plot (1920).-I simply state that Im a product of a versatile mind in a rest less generation-with every reason to throw my mind and pen in with the radicals. Even if, deep in my heart, I thought we were all blind atoms in a world as limited as a stroke of a pendulum, I and my sort would struggle against tradition try, at least, to displace old cants with new ones. Ive thought I was right about vivification at various times, but faith is difficult. One thing I know. If living isnt seeking for the grail it may be a damned disport game. -Document 5-Source Eleanor Chaffer, French woman, poem Lost Generation published in a newspaper (1921). --Look not for the flower of ingenuousness in these eyes,-Gravely and silently they have looked on death,-Seen terror rain down from unfriendly skies,-Learned while yet infants how frail is mans breath.-They have glowering from a landscape where the ground-Is poisoned and destroyed give them a toy-And it is held in their hands with no sound-Of childish mirth. This solemn-faced small boy-Is aged(a) than his father in his fa ce,-Wisdom is the ghost that will not leave-The world to him is a wild and dangerous place-No covert here where he may hide and grieve.-Look well on these, and on the world we made-As heritage for them and be afraidDocument 6-Source Wilfred Owen, English poet and soldier, Dulce et Decorum Est, addressed to his mother, written 1917, published later (1920) --If you could hear, at every jolt, the bloodCome gargling from the froth-corrupted lungsObscene as cancer, bitter as the cudOf vile, incurable sores on innocent tongues,My friend, you would not tell with such high zestTo children ardent for some desperate gloryThat old take a breather Dulce et decorum estPro patria mori-Document 7-Source D.H. Lawrence, English novelist and poet, Lady Chatterleys Lover, fictional protagonist has a love affair, examines structural morale (1928). --Ours is basically a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes. It is rather hard work there isnow no smooth road into the future but we go round, or scramble over the obstacles. Weve got to live, no matter how many skies have fallen. -Document 8-Source Kathe Kollwitz, German expressionist artist, The Survivors (1922), by Kathe Kollwitz-.